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Of Shadow and Light


 

CD Liner Notes
for Klavier recording OF SHADOW AND LIGHT
Distributed by Naxos International and available worldwide on iTunes and Amazon
 
Ideas about lightness and shadow have inspired countless artists throughout the years as expressions of beauty and mystery, sources of comfort and harbingers of doom, and representations of divinity and chaos. Each in their own way, the works on this disc engage with images of light and shadow, reflecting the breadth of emotions wrapped up in this basic dichotomy that shapes all of our experiences.

Steven Bryant’s Radiant Joy was composed after a difficult moment in his life. Though it began as a strict serial composition, a mental block led him to spend time listening inwardly. The result is an ebullient piece whose primary motive, introduced by the vibraphone and the piano, conveys a sense of light bursting across the horizon at dawn. 

Aaron Perrine’s Only Light reworks material from his dissertation composition, Beneath a Canvas Green, in which a single melodic motive is continuously transformed, reflecting the play of light seen through tree leaves in his native Minnesota. Although Perrine was not fully satisfied with how the earlier work treated its main motive, the terminal illness of a close friend’s spouse gave him fresh inspiration. In this moment of darkness, the play of light became a symbol of how delicate life is and how things can change at a moment’s notice. After fragments of the motive are heard in the introduction, it is presented in full by a solo euphonium and then passes through a wide range of ensemble colors, carrying the listener on an emotional journey of struggle and triumph.

Inspired by Hieronymus Bosch’s triptych The Garden of Earthly Delights, KU emeritus professor James Barnes’s Visions Macabres is a tripartite work in one movement. The piece moves from the Garden of Eden through earthly temptations to the damnation of mankind. Although art historians debate whether Bosch’s painting is a moral warning or a vision of divine pleasures, Barnes writes that “this brief encounter with the darker side of human nature…might serve as a medium for personal reflection on the timeless struggle between the supposed purity of man’s soul and the ubiquitous temptations of evil.”

Joel Puckett composed his Knells for Bonnie in memory of his grandfather, a baseball player who, in 1944, found himself on a ship in the Pacific Theatre during World War II. But Puckett knew nothing of that wartime experience until after Bonnie’s death, when he discovered a letter that his grandfather had written from Tokyo Bay, just a couple weeks after the end of the war. Puckett knew him only as somebody who always had time for a game of catch and who preached love and forgiveness. This piece seems a reflection upon the sadness Bonnie must have felt, realizing with each passing year that the world-wide peace he hoped he had helped earn is still, somehow, beyond our collective selves.

John Mackey’s Sheltering Sky has quickly become a standard in the concert band repertoire, thanks to its accessibility for both audiences and musicians. Influenced by Percy Grainger, this piece draws on two original folk-like tunes that are arranged in an arch form.  Frequently drawing on solo instruments and unusual timbres, the piece evokes moods from reminiscence to yearning.

Joni Greene’s The Moon Glistens is an adaptation of her earlier choral work Autumn Reflections (2009). Whereas the choral work was a setting of six haiku poems, this piece is a three-movement tone poem that treats the texts in symbolic fashion. The most pervasive image in the first two movements is the moon, which gives way in the third to rainfall on an autumn evening.

Colin Roust, Musicologist, The University of Kansas


Of Shadow and Light
Sarah Frisof, flute
The University of Kansas Wind Ensemble
Paul W. Popiel
   

5:19                 Radiant Joy (2006) - Steven Bryant (b.1972)

7:43                 Only Light (2014) – Aaron Perrine (b. 1979)

11:14               Visions Macabres, op. 40 (1979) –James Barnes (b. 1949)

7:17                 Knells for Bonnie (2015) –Joel Puckett (b. 1977)
                        Sarah Frisof, soloist
                        Commissioned by the KU Wind Ensemble

4:27                 Sheltering Sky (2012) – John Mackey (b. 1973)

18:00               The Moon Glistens (2014) – Joni Greene (b. 1981)
  1. Moon Viewing  (5:03)
  2. Wide Blue Sky  (5:32)
  3. Autumn Rain  (7:25)

54:00

Recorded at the Lied Center of Kansas, October 3-5, 2015 and April 15-17, 2016.

Producer: Scott Weiss

Production Assistants: Aaron Perrine, Joel Puckett, Joni Greene, James Barnes, Matthew Smith, Luke Johnson, Michael Mapp, Sarah Labovitz, Allison Cockshaw, Steven Smyth, Tonya Mitchell, Michael Compitello.

Editing and mixing: Scott Weiss, Paul W. Popiel, Brock Babcock

Engineer: Brock Babcock

Liner notes: Colin Roust

Cover design: David Gnojek


The University of Kansas Wind Ensemble

Described by the New York Times as “one of America’s most esteemed concert bands,” the University of Kansas Wind Ensemble is the premier wind band at the University of Kansas and is led by Paul W. Popiel, Director of Bands. Their Carnegie Hall debut in 2013 was described by Feast of Music as “showing amazing chops in their transitions and an impressive range of dynamics” and by the New York Times as “performing with polish, assurance and copious spirit, eliciting a rousing ovation."

The University of Kansas Wind Ensemble enjoys a long history of excellence and musical leadership in the state of Kansas, across the nation, and around the world. The ensemble has performed at every major wind band and music education convention in the country, and performed with musicians such as Aaron Copland, Vincent Persichetti, Percy Grainger, Karel Husa, Michael Colgrass, and Frank Ticheli. The Wind Ensemble performs diverse repertoire of the highest caliber from chamber works to large ensemble pieces and has a strong commitment to new music, as well as the finest standard band repertoire.

Paul W Popiel, conductor

Paul W. Popiel is the Director of Bands at the University of Kansas, only the seventh person to hold this position in the band's storied 125-year history. Dr. Popiel conducts the KU Wind Ensemble, directs the graduate program in wind conducting, and guides all aspects of the university band program.

His Carnegie Hall debut in 2013 was heralded by the New York Times: “The ensemble, conducted by Paul W. Popiel, performed with polish, assurance and copious spirit, eliciting a rousing ovation;” while New York’s Feast of Music said, “Give credit to Popiel, a strong advocate for new music, who went for broke, succeeding in showing us that there is, in fact, real, adventurous music being made over on the other side of the rainbow.” 

Popiel has lectured and performed throughout the United States, Canada, Europe, and Asia. A proponent of distinctive new music, Popiel has commissioned and premiered numerous new works for winds, including pieces by composers Joel Puckett, Mohammed Fairouz, Michael Torke, Kevin Walczyk, James Barnes, David Dzubay, Joni Greene, and others.

Sarah Frisof, soloist

Sarah Frisof is Associate Professor of Flute at The University of Kansas.  She is also the principal flute of the Dallas Wind Symphony and a frequent performer with the Dallas Symphony. She has performed with the Chicago Symphony, New York Philharmonic, Detroit Symphony and Boston Symphony. She has also appeared at the Verbier, Tanglewood and Aspen music festivals.  Each summer she performs at the Music in the Mountains festival in Durango, Colorado. Frisof holds degrees from the University of Michigan, the Juilliard School, and the Eastman School of Music.

 

 

 


THE UNIVERSITY OF KANSAS WIND ENSEMBLE

2015-16

Paul W. Popiel, conductor

FLUTE
Brian Allred
Maddie Bert
Emily Churchwell
Dorothy Glick
Deborah Haas
Margaret Lambie
Maria Pileski
Madeleine Wilmsen
 
OBOE
Matt Butterfield
Erin Funk
Shayna Hansen
Renee Metcalf
Susan Tope
 
BASSOON
Kylie Hansen
Randal Himes
Nathaniel Lohmann
Louisa Slosar
Ryan Weaver
 
CLARINET
Richard Adger
Puyin Bai
Allyssa DeJarnette
Brendan Fairleigh
Tyler Gouldlock
Juliana Hsu
Justin Cline
Andrew Novak
Addy Phillips
Chase Wallace
Kristen Wells
 
SAXOPHONE
Chris Agnew
Aaron Barrett
David Berrios
Matt Fisher
Robbie Harvey
Bennett Johnson
Philip Kaul
Andre Womack
 
TRUMPET
Devin Carey
Allison Cockshaw
Guangyu Dong
Daniel Gerona
Jong Ho Kim
Michael Raehpour
Michael Solomon
Trent Warbis
Zhongzhen Zhu
 
HORN
Tristan Bartley
Mariah Black
Quinton Bockhold
Kenzie Kimble
Becca Lundstrum
Taylor Mahlandt
Grant Parker
Bridget Saito
Caroline Strickfaden
Kat Young
 
TROMBONE
Gun Yong Lee
Grant Morgan
Jennifer Shinska
Fern Stevermer
Mark Sweeney
EUPHONIUM
Erin Bonifeld
Joshua Hugo
 
TUBA
Ma Deyman
Max Gerhart
Chloe Gilligan
Andrew Moss
Alex Taylor
 
STRING BASS
Adam Galigher
 
HARP
Shelby Lewis
Erin Wood
 
PIANO
Kai Ono
 
PERCUSSION
Alex Betsold
Logan Cain
Cherys Eland
Matthew Ernster
Taylor Long
Tanner Lynn
Trevor Miller
Christine Nance
Daichi Tadokoro
 
GRADUATE CONDUCTING ASSISTANTS
Allison Cockshaw
Tonya Mitchell
Steven Smyth

*players listed alphabetically, with fall and spring personnel merged into one roster.


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