Doctor of Musical Arts (DMA) Handbook
The University Academic Catalog is the definitive source for requirements and regulations for every academic program. However, the Catalog is for informational purposes only and does not constitute a contract. Degree requirements listed in the Catalog have been approved by established University Governance procedures. Degree and program requirements and course descriptions are subject to change. This handbook serves as a supplement to provide further details on the requirements, policies, and procedures described in the Catalog. The handbook is your guide through each step of the process of obtaining a graduate degree and the expectations and policies of the program areas within the School of Music. Use this information along with the following resources:
- School of Music online academic catalog,
- the School of Music Graduate Resources webpage, and
- the Graduate & Postdoctoral Affairs University Policies & Degree Requirements.
Student Responsibilities
You are expected to know the requirements of your program as found in this handbook and the online Academic Catalog for the year you begin your studies. You are responsible for knowing the policies and procedures that govern your advancement through the graduate program. Not knowing about a requirement does not excuse you from meeting that requirement.
Official Communication
Your KU email address is the official means of communication for all KU students. Check your “spam” or “junk” folder regularly to ensure you are receiving all important communications. For more email information see KU Information Technology: Email.
Table of Contents
- Admission
- Enrollment
- Grades
- Tuition and Fees
- Financial Support
- Graduate Diagnostic Examinations
- Advising, Mentoring, & Communication of Assignments & Roles
- Degree Requirements
- Degree Recitals
- Qualifying, Oral, and Final Exams
- Written Final Documents
- Graduation
- COGSIM (Committee on Graduate Studies in Music)
- Academic Misconduct
- KU Information
- Web-Based Resources
- School of Music Directory
- Musicology Written Qualifying Examination
- Musicology Portion of the Oral Comprehensive Exam
- DMA Document Guidelines and Time Frame
Admission
Admission to the School of Music graduate program are overseen by the Director of Graduate Student Services in conjunction with the faculty in the specific program area. Applications are online, open on or about October 1 for the following academic year (fall, spring, and summer admission cycles). To apply, all applicants must have an undergraduate degree from an accredited institution. For a full list of application requirements for each degree, please review the “admissions” tab in the School of Music Academic Catalog.
Non-native English speakers must also provide proof of English proficiency. Please refer to KU English Proficiency Requirements for specific score requirements.
The application review process begins once all application materials are submitted on or after the final deadline to submit the application. Applications are then reviewed by program faculty. Each candidate is rated by at least two faculty members in their program area and rated as 1) admit, 2) deny, or 3) waitlist.
Applicants are notified within the application system of the faculty decision within the following timelines for each admission cycle listed below. Applicants who have not submitted all of the materials, including all transcripts and references, by the due date may not be considered for admission and may be asked to reapply for a later admission cycle.
| Application Cycle | Priority Deadline to Submit Application* | Audition & Review Period | Final Admission Decision |
| Fall | December 1 | Dec - May | April - May |
| Spring | October 1 | Oct - Dec | Dec - Jan |
| Summer | April 1 | April - May | May-June |
*A priority deadline is the deadline to meet if you are interested in funding from the program (scholarships or Graduate Teaching Assistantships). Most programs in the School of Music will accept applications after the priority deadline (note: all piano applications are due by the priority deadline due to the number of applications received each application cycle).
Enrollment
Course enrollment is accomplished online. Enrollment instructions are found at KU Registrar: Enrollment. Check your Enroll and Pay Student Information Center for exact dates and times. They are posted in March for Summer and Fall continuing student enrollment and in October for Spring continuing student enrollment.
Courses at the 500 level or above are graduate level courses and will count toward your graduate GPA but may not count towards your degree. At least 50% of your credit hours must be earned in courses at the 700 level or above. (see degree requirements).
| Topic | Details |
|---|---|
| Your advisor | Your selected faculty mentor for lessons or research is considered your primary advisor for your degree program. The advising schedule, academic calendar, enrollment deadlines, fees, and additional information to assist you and your advisor can be found on the KU Registrar webpage and resources guide. Music Theory, Composition, and Musicology majors will be assigned an advisor by the area coordinator. Students in all other programs may select a faculty advisor in their program area or contact the area coordinator for general advising. |
| Full-time status | Full-time enrollment for Fall and Spring semesters is:
Full-time enrollment for Summer semester is:
Full-time status might be required by the rules and regulations governing student loan deferments, scholarships and fellowships, and foreign student visas (F-1 and J-1). Note: Summer enrollment is not required unless you are planning to graduate during the summer semester. |
| Maximum/Minimum number of credits | You may enroll in a maximum of 16 credits in the fall and spring semesters and 8 credits during the summer session. If you must enroll in more than the maximum number of credits, please submit the Request to Enroll Above Maximum Hours Limit form to request permission to add the class. If you are NOT required to have full-time status, 1 credit hour is the minimum required to remain active in the program. Doctoral candidates, see information regarding the post-comp enrollment requirement that go into effect the semester after you pass your Oral Comprehensive Exam. |
| Changes to enrollment & late enrollment | To avoid late enrollment fees, you must enroll BEFORE the first day of classes. Enrollment information, including the enrollment schedule, is found in the academic calendar for the specific semester. Late enrollment begins at 12:00 a.m. on the first instructional day of the Fall, Spring and Summer semesters. To make changes to your enrollment review the Schedule Change Information on the Registrar's website, and Considerations and Impacts of a Drop or Withdrawal for more details. If you enroll AFTER the first week of classes, you must submit a Request to Enroll After the Deadline (Late Enrollment) form to request permission to enroll in a class after the last day to enroll online. This form will route to instructors and schools for approval. If approved the Office of the University Registrar will enroll you in the class. Enrollment after the 20th day of classes is only permitted in rare cases, by completing a FacEx Appeal. IMPORTANT: Late enrollment can take several weeks to be fully processed. Students should attend class as soon as they can to avoid missing critical material for success. Please work with the instructor of the course you are adding to gain access to class materials and complete late enrollment. |
| International student enrollment | International students must be particularly aware of the rules and regulations regarding their visa status. International students should contact the International Support Services (ISS) office when enrolling, dropping or adding classes, reducing full-time enrollment, changing their degree program, taking a leave of absence, or withdrawing from the university. U.S. (Federal) laws govern your student visa status, and you must be fully aware of them as you proceed through your degree program. |
| Leave of absence | You may request a leave of absence in cases of illness, emergency, to pursue family responsibilities, or to pursue activities related to long-range professional goals. The time taken for a leave of absence does not count against your degree program time constraints (see Graduate & Postdoctoral Affairs Policy). Taking a leave of absence is highly encouraged over not enrolling and being discontinued by the University. A leave of absence is granted for 1 year at a time, for a maximum of 5 years. To begin a leave of absence, you must submit the Leave of Absence (LOA) Request form, stating the reason for the leave, and for which semester(s). Your advisor will be notified of your request. The first request for a leave of absence is automatically granted. Subsequent requests must be submitted to the Committee on Graduate Studies in Music (COGSIM) for approval. Progress toward completing your degree will be considered in granting further Leaves of Absence. International students must work with an ISS counselor if they are planning to request a Leave of Absence. Depending on your situation, there may be additional documents you must submit. |
| Retroactive withdrawal from courses | The School of Music allows, under special circumstances, retroactive withdrawal from all classes by graduate students, for an entire semester. We do not allow for selective withdrawal from individual courses retroactively. To request a retroactive withdraw, complete a FacEx Appeal. The request requires approval from the faculty advisor and area coordinator before being sent to the Graduate Student Services office at musicgrad@ku.edu. |
| Degree check sheet | Degree progress check sheets are available online. The initial individualized degree plan will be sent to new students prior to enrollment. It is the student's responsibility to work with their advisor and track progress towards the degree. You may send a copy of your updated plan to the Graduate Student Services office, at musicgrad@ku.edu, to request a degree check at any time. An advising report (unofficial transcript) showing the courses taken and final grades can be found in the myKU Portal. |
| Re-admission for returning graduate students | A student who has been actively enrolled in a degree-seeking graduate program but has not been enrolled for one academic year (three consecutive semesters, including summer) or less, may be eligible to use the Permit to Re-enroll form. A student who has been actively enrolled in a degree-seeking program and has not enrolled for four or more consecutive semesters (including summer) without an approved Leave of Absence is not eligible to use the Permit to Re-enroll form and must re-apply for graduate admission, including a possible audition. In this case, you would be admitted as a new student and additional requirements may be in effect. |
| Enrollment during your final semester | University policy states that you must be enrolled in at least 1 credit during the semester you apply to graduate or the semester prior if meeting the early graduation deadline. This includes the summer term if graduating in summer. If meeting the early fall graduation deadline, summer enrollment is not required if enrolled in at least one credit the spring semester prior. |
| Graduation Enrollment | There are two graduation deadlines each semester. An early graduation deadline (without enrollment) and a regular deadline (with enrollment). The early graduation deadline may be referred to as an "enrollment grace period.” If you meet all degree requirements, which include passing your Final Exam or Defense and submitting required documents, by the end of the first two weeks of the Fall or Spring semester (or the end of the first week of the Summer semester), you do not have to enroll for that semester to graduate. You must have been enrolled in at least one credit the previous semester (except for early fall, see above). All graduation deadlines are posted to the Academic Catalog for each academic year. |
Grades
The school uses the “A-D (+/-) FP" grading system. For coursework in thesis, dissertation, DMA document, lecture-recital or recording project, the letter grade “P” (Progress) is used instead of “I” (Incomplete) to indicate acceptable progress until the document has been completed and a final grade of A-F is submitted. “P” grades are not included in the computation of your grade point average, and they can only be changed to a letter grade for the last semester of enrollment. A grade of B- or below in a course in your major area is not acceptable and may not meet degree requirements. For all other courses, a grade of C- or below is not considered a passing grade and will not carry graduate credit or fulfill a degree requirement but will be counted towards your graduate GPA unless students elect to enroll Credit/No Credit for the course. |
| Topic | Details |
|---|---|
| Incomplete grade policy | The grades “W” and “I” may be given. The letter “I” indicates incomplete work that may be completed without re-enrollment in the course (generally within one year). The letter “W” indicates withdrawal for which no credit or grade point is assigned. “WG” is used when no grade has been given by the class instructor and means “waiting for grade.” A student who has an “I” posted for a course must make up the work by the date determined by the instructor, in consultation with the student, which may not exceed 1 calendar year, or the last day of the term of graduation, whichever comes first. An “I” not completed within a year is automatically converted to a grade of “F” or to the lapse grade assigned by the course instructor. The grade of F or the lapse grade will be included in the transcripts and GPA. Extensions to the time limit may be granted by the dean’s representative upon submission of a petition from the student containing the endorsement of the course instructor who assigned the “I” grade, or the area coordinator if the instructor is unavailable. After the “I” grade is converted to a grade of “F,” the grade may only be changed in accordance with USRR Article II, Section 3. It is your responsibility to make certain that all Incompletes have been replaced with a letter grade by your final semester. Your application for graduation will not be approved with Incompletes on your academic record. |
| Credit/No credit | You may elect to be graded with Credit (CR) or No Credit (NC) instead of ABCDF under certain circumstances. For graduate students, the grade of CR will be recorded for a grade of C or above, a grade of NC for a grade of C- or below. Courses graded CR/NC will not satisfy degree requirements in School of Music graduate programs and still require tuition and fees be paid. |
| GPA and academic probation | You must maintain at least a 3.0 Grade Point Average (GPA) in all coursework in your major area and you must maintain a cumulative GPA of 3.0 for all graduate-level courses. If your cumulative GPA falls below 3.0, you will be placed on academic probation. You must raise your GPA to 3.0 or above by the end of the following semester (probationary period) to be returned to regular status. If you have not raised your GPA to 3.0 by the end of the semester of probation, you will not be allowed to re-enroll in coursework and will be dismissed, unless the Associate Dean for Academic Affairs acts favorably on a recommendation from the faculty members in your area that you continue in graduate study on continued probation. |
| Transfer credits | At the doctoral level, credits do not officially transfer. Prior coursework may be taken into consideration when developing a course of study with your advisor, and processed as a course reduction. The faculty advisor and program Area Coordinator must approve any credits being considered, and the student must complete a Graduate Student COGSIM Petition to document the update with the school's Graduate Student Services office. |
Tuition and Fees
Graduate students are assessed the standard resident or non-resident graduate tuition rate for every credit in which they are enrolled, including undergraduate credits. Music classes carry an additional course fee which, like tuition, is assessed per credit hour. If you have a Graduate Teaching Assistantship (GTA), the tuition and course fees are waived at the percentage stated in your GTA contract. All graduate students pay required campus fees. Lawrence campus fees are assessed per credit hour if you are enrolled in fewer than 6 credits. If you are enrolled in 6 or more credit hours, you will pay the flat rate. The School of Music GTA does not cover campus fees. Tuition and fee information, including the current rates, can be found at KU Financial Aid & Scholarships, and on the Registrar’s Comprehensive Fee Schedule. |
| Topic | Details |
|---|---|
| Refunds for dropped classes | The longer you remain enrolled in a course, the lower your refund will be if you decide to drop the course. Check the Registrar’s Office website, KU Registrar, for the academic calendar that provides deadlines for dropping classes and the refund rate. You may drop courses online up to the last day to drop. After that date, you may only drop if you complete a FacEx Appeal and it is approved. If you have extenuating circumstances and need to request a refund after the deadline, you can submit a fee petition with school support. There is no guarantee you will receive a refund, as these petitions are reviewed on a case-by-case basis. |
Financial Support
| Topic | Details |
|---|---|
| Scholarships | A small number of music scholarships are available for graduate students. Please speak with your area coordinator to find out what may be available to you. A full list of university opportunities can be found on the UKASH website. |
| School of Music Student Opportunity funds | The School of Music provides funds to support travel for the professional development of students and to increase the visibility of its academic programs. These funds are for students participating in national and regional conferences in which they perform, present papers, or hold workshops. The funds also support students invited to perform or present at other regional, national, or international venues. To request School of Music opportunity funds, please complete the School of Music Opportunity Fund - Student Travel Reimbursement Request form. |
| Graduate & Postdoctoral Affairs (GPA) funding opportunities | The KU Graduate & Postdoctoral Affairs office (also called Graduate Studies) offers a limited number of fellowships, travel funds, and scholarships to assist graduate students. Nominations, if required, are made by the faculty advisor and area coordinators, who submit the nomination packet to the Associate Dean for Student Affairs. Let your area coordinator know if you are interested in being nominated. Forms and other information on the application and nomination process is available on the GPA website. |
| Graduate Teaching Assistantships (GTAs) | Graduate Teaching Assistantships (GTAs) are offered in ensembles, musicology, music theory and composition, music education and therapy, and in many areas of performance. School of Music GTAs are renewed on an annual basis for a maximum of 4 semesters, based on performance and degree progress. All new GTAs are required to attend an Orientation prior to their start date. To be considered for a graduate teaching assistantship, complete a GTA application. Applications are due by March 1 for priority consideration. Speak with your advisor or area coordinator about available GTAs or about seeking reappointment for your current GTA. Students seeking a GTA outside of the School of Music should work directly with the hiring department in that area. External GTA positions are often posted on the KU Jobs website or shared via email. |
| Graduate Teaching Assistantship (GTA) tuition waivers | GTA tuition waivers are based on the percentage of the appointment as follows: Faculty and students can find complete information regarding GTA benefits in the KU Policy: Benefits Available to Graduate Research Assistants, Graduate Teaching Assistants, and Graduate Assistants. This policy explains what is covered for each level of appointment. |
| General Information for Graduate Assistants (GTA/GRA/GA) | Departments that employ GTAs, GRAs, and/or GAs provide information regarding what the student should expect of their assistantship. This includes information on work duties, supervision, resources, and any specific rules and procedures relating to the appointment. The information below includes guidance on the following:
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| GTA MOA | For more information on the agreement between the University of Kansas and the Graduate Teaching Assistants Coalition (GTAC), The American Federation of Teachers - Kansas (AFT-Ks), please review the GTA Memorandum of Agreement (MOA). You can find additional information on the Graduate & Postdoctoral Affairs webpage. |
Graduate Diagnostic Examinations
Students admitted to the MM (except MM-Opera), DMA, PhD-Theory, and PhD-Musicology programs are required to take the School’s graduate diagnostic exams or meet those pre-requisite requirements in the following ways:
Doctoral students may be placed on academic probation after the fourth semester if the diagnostic exam(s) or deficiency courses are not complete, and students are not eligible for graduation until diagnostic exams or required deficiency courses are satisfied. Students who received a bachelor’s or master’s degree from KU within the last 4 years are exempt from this requirement. |
| Topic | Details |
|---|---|
| Diagnostic exam grading | Each section is evaluated as Satisfactory (S), Review (R), or Deficient (D). If Satisfactory (S), no remedial work is required. If you receive a Review (R), you are strongly encouraged to review the material on your own before your oral exams. If Deficient (D), you must remediate the deficiency by completing a review course or graduate-level course. |
| Remediation of diagnostic deficiencies | If a student fails one or more of the diagnostic areas of the diagnostic exam, the student either (a) passes the diagnostic exam in the failed areas on the second or third attempt, or (b) earns a grade of C or better in the appropriate courses listed below to clear the deficiency. Deficiencies must be remediated as soon as possible, preferably by the end of the third semester of enrollment and at the latest by the end of the fourth semester. If a student has not cleared all deficiencies by the end of the fourth semester of enrollment, graduation may be delayed as the student completes the required deficiency courses. The above is the only avenue for students to clear deficiencies. Independent study is not permissible, nor will diagnostic exams be made available to students outside of the opportunities scheduled before each fall and spring semester. |
| Musicology diagnostic exam and review courses | Musicology diagnostic exams will cover 6 historical periods:
The examination includes essay questions, identification of terms, titles and names, and identification of stylistic traits in recorded examples.
Graduate-Level Course Equivalencies* Spring: *Note: There is no graduate-level equivalency course for Classical. Students can only meet this deficiency with MUSC 477 (offered in spring semester). Textbooks appropriate for review include:
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| Music Theory diagnostic exam | The School no longer requires a Music Theory Diagnostic Exam. |
| Piano Diagnostic Exam | All new piano graduate students must take a piano literature diagnostic exam assessing knowledge of keyboard literature from 1300 to the present day. Students who do not pass this exam are required to satisfy the deficiency by enrolling in PIAN 743, PIAN 744, PIAN 746, and/or PIAN 747, or the equivalent PIAN 921 course as recommended by the Piano Area Coordinator. If you have questions regarding the Piano Literature Diagnostic Exam or want further information, contact the Piano Area Coordinator. |
Advising, Mentoring, & Communication of Assignments & Roles
Incoming graduate students may select a faculty advisor within their area of study or the faculty program area coordinator can act as the initial faculty academic advisor. A list of program area coordinators can be found on the school contact webpage. Faculty advisor selection should be matched to the students instrument or research interests. Faculty advisors help guide and mentor students during their graduate career, including help with selecting courses, identifying research interests and professional development, and career planning. The Graduate Student Services Office serves as a general resource for all graduate students. Students should choose a principal faculty advisor by the end their first semester of enrollment in the graduate program, but may change advisors at any point. For master's students, the faculty advisor also serves as the chair of their committee. See the Graduate Student Advising and Mentoring Policy for more information.
Any faculty member has the right to refuse to continue as a student’s advisor or to serve on a student’s committee. If a student is unable to identify a faculty member willing to serve as their advisor within six months, or sufficient faculty members in the school to make up a committee, please consul the Associate Dean for Student Affairs or email musicgrad@ku.edu. Students and faculty advisors are encouraged to consult the Graduate & Postdoctoral Affairs Mentoring Resources webpage, which provides a wealth of resources, including mentoring guides for both faculty and graduate programs.
Regular & Timely Feedback on Thesis, DMA Documents, and Dissertations
The Graduate Student Advising and Mentoring Policy indicates that faculty thesis/dissertation advisors must provide “regular and timely feedback” and assessment on academic work and student progress (e.g., feedback on research and creative activities, coursework, teaching). Please review the Doctoral Degree Timeline and work with your faculty each semester to ensure you are on-track to graduate and plan time for faculty review.
Annual Student Progress & Degree Requirements
Graduate students in the School of Music graduate program work with their advisor to review enrollment and degree requirements and track progress using their individual degree progress check sheet. Satisfactory progress means students are (1) meeting their goals and objectives, (2) that research or milestones are progressing, and (3) that the student is on schedule to graduate in a timely manner. In short, it indicates that the student is in good academic standing with the school and the Office of Graduate & Postdoctoral Affairs. Unsatisfactory progress generally includes some combination of sustained lack of progress in coursework or milestones; GPA below 3.0; and poor performance record. Students who are identified as making unsatisfactory progress are placed on academic probation with the university and are ineligible to hold graduate assistantships until reinstated to good academic standing. Unsatisfactory progress may result in dismissal from the graduate program.
YOU are responsible for knowing your degree requirements listed in the KU Catalog (for the catalog year of admission). The faculty and staff of the School of Music are here to assist you, but the timely completion of your degree requires planning. |
| Topic | Details |
|---|---|
| Your degree program & course of study | The course of study in each major field is found in the online catalog at KU Academic Catalog: School of Music. Student's should use the degree progress check sheet to track progress and milestones. The student’s major professor and graduate committee should assume primary responsibility for monitoring progress within the approved plan. Plans will be kept in the student’s online student record (accessible to faculty online). Subsequent changes to the degree progress check sheet must be approved by the student’s advisor. According to Graduate & Postdoctoral Affairs (GPA) policy, doctoral students must complete a minimum program engagement equivalent to two full-time semesters. This may be accomplished through either of the following:
Summer enrollment is not required to maintain registration, but summer enrollments may be counted toward the 18 part-time pre-comprehensive hours. The time spent in attaining the master’s degree at KU may also count toward this enrollment requirement, at the program’s discretion. |
| Adding a master’s degree while pursuing a DMA | If a DMA student chooses to add an additional Master’s degree while pursuing their doctorate, they should complete the online application form (no additional fee) and be aware of the following:
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| Doctoral degree time constraint: | All Doctoral degrees must be completed within 8 years from the time of enrollment in doctoral coursework. Students may petition for a one-year extension beyond the 8-year requirement. Petitions for extensions go to the Committee on Graduate Studies in Music (COGSIM). |
| Doctoral research proposal | Doctoral students completing a DMA document are encouraged to work with their advisor to submit a research proposal to the faculty committee for final approval prior to last semester of graduate enrollment. An outline for the research proposal and final document timeline are available, but students should work with their advisor and committee to ensure all requirements are met for DMA document completion. |
| Language requirements for voice students: | Some music degree programs have a language requirement. Examine your Degree Requirements Check Sheet for the specific language requirements and discuss them with your advisor or Program Area Coordinator. DMA Voice students must have taken one year each of French, German, and Italian during their college career. They can be courses taken at any time during your college career. In consultation with your advisor, any of the following may be used to fulfill the language requirement:
If you are coming to KU with one semester of a language which is not a graduate level reading course, you must take a second semester course in the language, take a graduate reading course, or pass a KU or other approved test. To document completion of your language requirements, please submit a Language Request form for each language once complete. |
| Diction requirements | Students in the DMA-Voice program, require proficiency in French, German, Italian, and English diction before graduating. Proficiency is determined by an examination of your college transcripts and during your audition. If you have a diction deficiency, you will be required to take a diction class in the deficient language. Any undergraduate classes taken to fulfill the language requirements will not count toward your required credit hours for graduation. |
| Electives | Elective hours can be selected from any music or non-music courses at KU. Elective courses must be at the graduate level (500 or above) to count toward the degree and approved by your advisor. |
| Research Skills and Responsible Scholarship | MUSC 801, Music Bibliography and Research, is required for all graduate students in music and satisfies the Graduate Studies “Research Skills and Responsible Scholarship” (RSRS) requirement for doctoral students. All doctoral students must meet the RSRS requirement before proceeding to the oral comprehensive exam. Important note: This requirement will be updated for doctoral students entering the program in fall 2027, and you can see those updated requirements in the Research Skills and Responsible Conduct of Research Policy. |
| Waiver for MUSC 801 | If you have taken a comparable Research and Bibliography graduate course at another university, you may request a waiver of MUSC 801. To request a waiver, provide the Musicology Area Coordinator with a syllabus of the course you wish to use in place of MUSC 801. |
| Jury examinations | All DMA students in performance areas are required to take a jury examination each semester until the semester in which the first degree recital is presented, after which juries are no longer required. Juries will include the faculty members in your major area. Additionally, any DMA student enrolled in studio instruction (____ 711 for the student’s secondary instrument) may be expected to take a jury at the discretion of the instructor. |
| Graduate Advisory Committee: 4 members required | Your Graduate Advisory Committee administers your Oral Comprehensive Examination and the Doctoral Final Examination/Defense. Your Graduate Advisory Committee is a 4-member committee (minimum). DMA students in performance should select their performance committee members prior to their first recital (so they can attend). You may wait to choose your Graduate Studies Representative until before your Oral Comprehensive Exam. Members of your committee must be on the Graduate Faculty. Discuss the membership of your committee with your advisor and personally ask each faculty member to serve and approve the Advisory Committee Approval form online. Only faculty members with privileges to serve or chair a doctoral committee may be selected. A member without those privileges may not serve on a doctoral committee. Advisory committees are comprised of two members from your department, one Graduate Studies Representative from outside of your department, and one faculty member from the Academic Music Department (musicology, music theory, or music composition). |
| Graduate Studies Representative (formerly Outside Member) | The Graduate Studies Representative is a graduate faculty member outside of your home department. For DMA students in performance, this member is not required but may attend your degree recitals. The Graduate Studies Representative must be a member of the Graduate Faculty. As the Graduate Studies Representative, they are a voting member of the committee and may or may not participate in questioning you during your Oral Comprehensive and Doctoral Final Exams. The role of the Graduate Studies Representative is to report any unsatisfactory or unusual aspects of the examination to the Chair of your advisory committee and to the School of Music Associate Dean for Student Affairs. |
| Committee Oral Exam/Defense attendance: | All four members of your advisory committee must participate in the Oral Comprehensive Exam and the Doctoral Final Exam/Defense. For doctoral oral examinations, all members of your committee must be present for the Oral Comprehensive Examination or Final Oral Examination/Defense to commence (see oral exam attendance policy). When a situation arises in which a committee member cannot be present, attendance via mediated means is acceptable at the discretion of the committee chair and may require the exam to be rescheduled. In cases where the student prefers an examination in which all committee members are present, the student’s preference shall be honored. |
| Graduate progress toward degree | Graduate students in the School of Music must maintain an expected level of academic performance throughout their program to maintain good academic standing. Criteria for evaluating satisfactory performance include:
Students who are unable to complete degree requirements during any semester due to injuries, illness, financial difficulties, or family emergencies should submit a request for a Leave of Absence. Failure to request a Leave of Absence will not relieve the student of the requirements to continue to make progress toward the degree as defined above. Failure to make progress toward the degree as defined above will result in a student not being in good academic standing and the student will be put on probation or dismissed from the program. The school will evaluate graduate students pursuing more than one degree program based on their progress toward meeting the requirements of each program individually. |
Degree Recitals
All students in performance and conducting must perform a total of three recitals. This does not include the DMA Lecture-Recital if you select that as your final project. All degree recitals must be held in a venue open to the public. Each recital program must be approved by all faculty members in your area before the recital is to be performed. At least two of the three degree recitals must be given before you complete your Oral Comprehensive Examination. |
| Topic | Details |
|---|---|
| DMA Qualifying Recital | The first DMA recital serves as a qualifying recital and is used to determine whether you will be allowed to continue in the DMA program. Unless an extension is approved, the first DMA recital must be presented within the first three semesters of enrollment. You may petition for an extension by submitting a formal written request, including justification for the extension, to the Associate Dean for Student Affairs. The request must include a letter of support from the major professor and an endorsement from the program area coordinator. As determined by the your Graduate Advisory Committee, there are three possible outcomes from the qualifying recital:
If you are required to repeat your first recital, you will only have one additional opportunity after the first attempt. |
| Recital requirements | Options for the types of recitals that will fulfill the recital requirement may include a full solo recital, concerto performance, chamber music program, or a second Lecture-Recital. Please discuss options with your advisor. Piano: Students majoring in piano must perform a chamber music or concerto recital as one of the three required degree recitals. Wind and Orchestra Conducting: Doctoral students in instrumental conducting must perform three recitals, each consisting of 50-60 minutes of programmed music. These recitals may consist of the combination of works conducted with various scheduled university ensembles over the course of multiple semesters. Choral Conducting: Doctoral students in choral conducting are required to conduct three recitals. Each of the recitals will be a concert-length public performance with the ensemble to which the student has been assigned. “Concert-length public performance” is defined as a minimum of 30 minutes of conducted music. A conducting student who wishes to use an ensemble other than a scheduled university ensemble must obtain permission from the student’s major professor. |
| Scheduling your recital | All degree recitals, regardless of performance location, must be scheduled and registered in the School of Music Communications and Events Center, 460 Murphy Hall at least 3 weeks prior to the performance date. The recital scheduling packet is available in 460 Murphy as well as online at music.ku.edu/recital-scheduling. Your advisor’s signature must be on the recital form. Recital scheduling is also required for conducting students who are using several performances as one recital and voice students who are using an opera role as a degree recital. If you have enrolled in ___965: Doctoral Recital, you must register your recital using the recital packet. |
| Recitals performed away from the City of Lawrence: |
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| Priority scheduling | Recital scheduling for each semester begins with the priority scheduling week. Only graduate students are permitted to schedule during the first two days of the priority week. Non-degree recitals will be scheduled on the fifth day of that week. After the priority scheduling week, all recitals are scheduled on a first-come, first-served basis. Priority scheduling week for the Fall semester happens in late August or early September. Priority scheduling week for Spring happens in late October or early November. Watch for posters in Murphy Hall as well as email notification of priority scheduling dates. |
| Recital dates and times | Students are welcome to check the School of Music events calendar online at: https://music.ku.edu/calendar. Before scheduling a recital, confirm available dates with your advisor and accompanist to avoid conflicts. When ready to schedule, be prepared by having a primary date/time and 4 alternative dates/times. |
| Recital fees | Recital fees are listed online and students with financial need may apply for financial assistance (processed as a reimbursement)by completing the Recital Fee Funding Request Form. Recital fees include:
|
| Recital programs | It is the student’s responsibility to provide a properly formatted recital program prior to the event date. See the School of Music Student Recital Program Style Guide, for specific program formatting information. The recital programs are due no less than 2 weeks in advance of the recital. Both an emailed program and a paper copy signed by the instructor must be submitted at least 2 weeks before the recital. Failure to meet this deadline will result in cancellation of the recital with no refund of the recital fee. |
| Recital recordings | All graduate degree recitals must be recorded for inclusion in the School of Music digital archive. If your recital is recorded by School of Music Recording Services you will receive a link to the digital file after your recital. Students using other than School of Music Recording Services must submit a digital copy of the recital program to musicgrad@ku.edu and submit an audio recording to the recording engineer, recording@ku.edu, by the end of the semester in which the recital is performed for inclusion in the digital archive. Conducting students using a compilation of performances for a degree recital must contact recording@ku.edu for instructions on how to submit the recordings for the digital archive. |
| Lecture-Recital | The Lecture-Recital is the final recital for the DMA in performance areas. It includes the lecture document, which is approved as outlined below. The defense of the document is scheduled with your advisory committee, generally held after the Lecture-Recital. The Lecture-Recital should be between 70 and 80 minutes in length, including the intermission, normally with a minimum of 30 minutes’ performance time. The music should be new to the student and should include at least one major work. The candidate should be the principal performer and lecturer. The candidate may present the lecture as a formal reading of the paper or in a less formal, paraphrased manner. The style of the presentation will be determined by the student and the major advisor. |
| Events other than solo recitals used to fulfill degree recital requirements | Events other than a solo recital to be used to fulfill a degree recital may include, but are not limited to, major opera roles, recitals taking place off campus (cf. off-campus recital policy), and professional conference performances. These events must be registered as a degree recital and the appropriate recital fee paid. The student’s committee determines whether these events will fulfill a recital requirement. |
Qualifying, Oral, and Final Exams
Understanding the policies and timing of major milestones is important. Planning for the Written Qualifying Exams, Oral Comprehensive Exam, and the Doctoral Final Exam/Defense will ensure that you graduate.
| Topic | Details |
|---|---|
| Doctoral Qualifying Examinations | The Doctoral Qualifying Examinations are School of Music exams that must be passed before taking the Oral Comprehensive Examination. You must have satisfied all diagnostic examination deficiencies before you are eligible to sit for these exams. Please work with your advisor and the Director of Graduate Student Services on timing for these exams. Scheduled dates for the Written Qualifying Exams are posted in the School of Music Graduate Calendar. When you are ready to take the examinations, notify the contacts listed in the calendar of your intent to participate in the next scheduled exam or email musicgrad@ku.edu. The DMA Qualifying Examinations have three components:
PhD-Musicology, PhD-Theory, and DMA-Composition students should discuss the components of their Written Qualifying Exams with their advisors. |
| Music History Qualifying Exam | The Music History Qualifying Exam is proctored in-person once per semester during the academic year or students may choose to take an additional three-credit-hour MUSC course with approval from their major advisor and area coordinator to meet this requirement. Please take note of the following rules and suggestions for the Music History Qualifying Exam.
|
| Music Theory Qualifying Exam | The Music Theory Qualifying Exam is proctored online through Canvas. Students may take the Theory Qualifying Exam once per semester during the academic year. Exemptions would need to be justified on exceptional grounds and at the discretion of the Music Theory Area. Students may take the Theory Qualifying Exam as many times as necessary to pass the exam. Students should use the free online source Open Music Theory (openmusictheory.com/) in preparing for the exam. The site is intended to facilitate review of material that has already been studied in one form or another. If students would like to find more in-depth sources, they can feel free to contact the Music Theory faculty for recommendations. The exam will not have any questions about Galant Schemata or Pop/Rock Music but everything else covered in the online source is a possibility. |
Oral Comprehensive Examination
| The Oral Comprehensive Examination is required of all KU doctoral students. Once passed, it confers All But Dissertation (ABD) status and you become a doctoral candidate. Although this is a university-level exam, it is administered by your Graduate Advisory Committee.
Under no circumstances will students be allowed to schedule and take the Oral Comprehensive Exam until all of these criteria have been met. The Oral Comprehensive Exam will cover all aspects of your major field of study and serves as a synthesis of your academic training as a whole. Questions will be asked by each member of your committee to assess the professional level and depth of your knowledge of theory, musicology, pedagogy, repertoire, and any other specific questions deemed pertinent to your major area. Doctoral students are expected to have developed the capacity for individual study and inquiry; therefore, the subject matter of the examination is not necessarily limited to courses in which the student has enrolled. It is recommended that DMA students complete the Oral Comprehensive Exam after four semesters of graduate study, prior to your final semester. |
Exam Authorization Form for Oral Comps and Doctoral Final Exam
| The Doctoral Oral Comprehensive Exam and the Doctoral Final Exam/Defense are University-level exams. The Graduate & Postdoctoral Affairs Office is notified of the School-approved exam by the submission of the Exam Authorization PtD (Progress to Degree) form. This form must be completed by the student, and submitted to the Director of Graduate Student Services, no later than 2 weeks before your scheduled Oral Comprehensive Exam or Doctoral Final Exam. This form must be completed by the student, and a confirmation email will be sent to the full committee. Pre-approval and exam results will be managed through this online form system, documented by Graduate Student Services in the school. The form should be submitted no later than 2 weeks prior to your scheduled exam. The school will verify that you have completed the RSRS requirement, that faculty serving on the committee are eligibility, you have completed the residency requirement, and that you have successfully passed all Written Qualifying Exams or are enrolled in the waiver course. The same form is used before the Doctoral Final Examination/Defense to submit the title of your final DMA Document or PhD Dissertation. Failure to submit this form 2 weeks in advance of the exam may result in the cancellation or rescheduling of your exam. |
| Exam Grading | For both the Oral Comprehensive Exam and the Doctoral Final Exam/Defense, the committee reports a grade of Honors, Satisfactory, or Fail. If you receive a “Fail” on the exam, you may repeat it on the recommendation of your Graduate Advisory Committee, but under no circumstances will you be allowed to take it more than three times. You may not retake the Oral Comprehensive Exam until at least 30 days have elapsed since the previous attempt. The committee has the option of extending this period to either 60 or 90 days, depending on the number of categories the student has failed (oral exam) and the severity of the deficiencies noted in the student’s answers (either the oral comprehensive or the final exam). |
| Post- comprehensive enrollment “Continuous Enrollment” | Beginning with the semester after passing the Oral Comprehensive Exam until all requirements for your degree are completed OR until 18 post-comprehensive hours have been completed, all Doctoral candidates must enroll in a minimum of 6 credits during the fall and spring semesters. The credits taken during the semester you pass your Oral Comprehensive Exam will count toward the 18 post-comprehensive credit requirement. If you have reached the 18-credit hour minimum and have not completed your degree requirements, you must continue to be enrolled every Fall and Spring semester in at least 1 credit until you graduate. |
| Doctoral Final Oral Exam/Defense | For doctoral candidates in Composition, Musicology, and Music Theory, the Doctoral Final Exam/Defense is devoted primarily to the defense of your dissertation. For candidates in conducting and performance, the examination will deal primarily with the research reported in the DMA document in combination with a lecture-recital or recording project. |
Written Final Documents
All doctoral students in the School of Music have a written document that they will defend at their Doctoral Final Exam/Defense. The Doctor of Musical Arts (DMA) degree in Music Performance and Composition allows for the following completion options:
- Long DMA document including exam with oral component.
- Short DMA document with lecture-recital and exam with oral component.
- Short DMA document with recording project and exam with oral component.
- Composition dissertation including exam with oral component.
PhD students in Musicology and Music Theory will defend a dissertation. DMA students in Composition will write a major composition and a substantive analysis. All documents are submitted online for publication after they have been defended and approved.
| Topic | Details |
|---|---|
| Dissertation/Document proposal | ALL doctoral-level students must submit a Research Proposal Approval Form to their committee members. You will find guidance for writing an effective proposal in to DMA Document Guidelines and Time Frame. Your advisor and committee members will work with you on the content and scope of your proposal and may provide feedback to help you move forward with your research. Important note: PhD and DMA-Composition students must submit a proposal to all members of their committee no later than the end of the semester in which the Oral Exam is completed. |
| DMA recording project option | For the Dissertation Recording Project, students will have the option to submit a studio recording (can be recorded in Swarthout using the KU SOM Recording Services) or a live recording of an event (with an audience) with a 30-minute minimum of recorded material. If a live recording is used, it must demonstrate the student’s highest ability. There should be a compelling reason to use a live recording such as a world premiere live concerto performance, or teaching demonstrations, for example, and it must be agreed upon with the major professor in advance and in the project proposal. For a studio recording, the candidate must appear as the principal soloist or as a primary member of an ensemble. The project must be accompanied by a 20-30 page written document that provides a detailed description and justification of the project, comprehensive program or liner notes, and an abstract. Students will publish the recording on platforms such as Spotify, Apple, Bandcamp, etc. and include a link to the published recording in their document. This document must pass the same rigor as the lecture/recital document outlined below. The candidate is expected to demonstrate leadership across all phases of the endeavor, including planning, production, and post-production. In lieu of, or in addition to the recording, the candidate may submit a comprehensive pedagogical or instructional video, or a series of such videos. |
| DMA document timelines and deadlines | If students are preparing to schedule both the Oral Comprehensive Exam and the Doctoral Final Exam/Defense in the same semester, the DMA Document proposal must be submitted to the committee the semester prior to the defense. See below is the recommended timeline for document progress. Students should work with their advisor and committee to create an approved timeline for degree completion. The recommended timeline indicates the established best practices for completion of the DMA Document. Meeting these deadlines ensure that your advisor (chair) and committee members will have sufficient time to carefully assess your work and provide the necessary guidance and critical reading for a successful paper. If you fail to meet these recommended deadlines, you may delay graduation or be required to enroll beyond degree requirements (see doctoral candidacy policy). |
| Formatting requirements for dissertations and documents | The Graduate & Postdoctoral Affairs office has formatting requirements for all PhD dissertations and DMA documents. These formatting requirements can be found on this webpage: KU Libraries: Thesis and Dissertation Formatting. The page also has information on Multimedia Files, Copyright, Issues of Responsible Research, Preparing Your Manuscript and services available for writing and preparing your manuscript for publication. |
| Submission of dissertation and document for publishing | All School of Music doctoral students must submit their final draft of the DMA document or PhD dissertation to UMI (ProQuest) publishing by the graduation deadline for the planned semester. The instructions for submission can be found at the Graduate & Postdoctoral Affairs (GPA) website. The deadlines for each semester can be found on the Graduation Calendar. Your submission will be published in an 8.5 x 11 format regardless of the size of the document you submit. If you have questions about the submission of large-format scores, please contact UMI ProQuest at https://support.proquest.com/. |
| DMA Signature Pages | To complete requirements for graduation, all doctoral students who have defended a final document must submit a PDF copy or photo of the signed Title and Acceptance pages (first two pages of your document) to the Graduate Student Services office at musicgrad@ku.edu, or drop them off in 446 Murphy Hall. You are advised to take the signature pages with you to the Final Exam/Defense to get the necessary signatures while your committee is convened, but electronic signatures are acceptable for graduation purposes. Note: Official signatures are not uploaded within your ProQuest submission. Signature pages are only submitted to the school for documentation purposes. The online version of the title and acceptance pages may include the names of your committee members, but not their signatures. |
Graduation
The Graduate & Postdoctoral Affairs (GPA) office has deadlines each semester for meeting all degree requirements including exams passed, completion of the thesis (if required), and applying to graduate in Enroll & Pay. Those dates are on the Graduate Calendar. Extensions will not be granted. You are strongly encouraged to meet with the Graduate Student Services Coordinator in Music to review the timing of the remainder of your degree requirements.
| Topic | Details |
|---|---|
| Application for graduation | You are urged to complete an application for graduation at the beginning of the semester you plan to graduate or the semester prior if meeting the early graduation deadline (without enrollment). This is done in Enroll and Pay. You must have submitted your application to graduate by the deadline for degree certification. If you do not graduate the semester you apply, your application for graduation will be canceled and you will need to re-apply for a future semester. |
| Are you finished? | Doctoral students must be especially focused on the timing of the final year of their degree program. You are strongly encouraged to meet with Graduate Student Services well before you plan to graduate to make certain you are meeting all requirements and milestones, that you know what remains, and that you will be approved to graduate. |
| Graduation information | Degrees are awarded three times a year to graduate students who have met the requirements specified by the school and Graduate & Postdoctoral Affairs. The KU Commencement events occur only once a year at the end of the Spring semester for Spring graduates and those who graduated in the preceding Summer and Fall. |
| Hooding ceremonies & Commencement | The School of Music graduation ceremony takes place on the Saturday prior to commencement and includes the hooding of graduating Master’s students. Only those students who have applied for graduation in Enroll and Pay and/or registered for the event are eligible to participate in the hooding ceremony. Students may only attend the ceremony once per KU degree in the School of Music. Information on the University commencement can be found at KU Commencement. To order your diploma, refer to KU Registrar: Diplomas. The university holds a doctoral hooding ceremony at the Lied Center for all graduating doctoral students at KU. Information on the Doctoral Hooding Ceremony can be found on the Graduate & Postdoctoral Affairs (GPA) website. Please check this site for requirements, tickets, date, and time. Information on the KU Commencement can be found at commencement.ku.edu. |
Petitions & Exceptions to Policy
The Committee on Graduate Studies in Music (COGSIM) consists of 5 faculty members elected by the School of Music faculty and 2 graduate student representatives selected early in the fall semester from a list of graduate student volunteers. The role of the committee is to:
- monitor artistic and academic requirements and standards of graduate programs in cooperation with the areas;
- consider requests for curricular changes and changes in degree requirements from the areas and make recommendations to the faculty;
- act on petitions from graduate students related to time limit extensions, continued leave of absence, or other individual requests for exception or review.
| Topic | Details |
|---|---|
| Graduate Student Petitions | For exceptions to degree requirements or other policies and regulations within each degree program, students must submit a petition to COGSIM. If the request is submitted with documented support from the faculty advisor and area program coordinator and does not conflict with University Policy it will be administratively approved by the Graduate Student Services office and an updated individual degree progress check sheet will be provided to the student. |
| Appealing a Final Grade | For a grade appeal, the student must first attempt to resolve the issue by contacting the instructor within six months. If the grade conflict remains unresolved, a student may initiate an appeal of a final course grade if, but only if, they believe that there has been an improper application of the grading procedure the instructor announced for the course within the syllabus. A graduate student may initiate their appeal by completing the Academic Grade Appeal Report form. A student may appeal the decision made by the school with the Associate Dean for Student Affairs and, ultimately, to the University Judicial Board. If the student’s appeal is sustained at any level, the final course grade shall be assigned in accordance with Section 2.3.5 of the University Senate Rules and Regulations. The Associate Dean for Student Affairs may be consulted at any time for advice on any aspect of the process. |
Grievance Procedures for Grade Appeals and Academic Misconduct
Grievances and charges of Academic Misconduct arising within the School of Music must be heard under the School of Music Grievance Procedures for Grade Appeals and Academic Misconduct Policy. Additional information can be found in the University Senate Rules & Regulations, see the complete University policy on Academic Misconduct including definitions and examples.
Note: This procedure does not apply to graduate students in matters related to their employment as teaching assistants. A separate grievance procedure outlined in the Memorandum of Agreement between the University of Kansas and the Board of Regents and the Kansas Association of Public Employees is available for that purpose.
For questions related to the use of Artificial Intelligence (AI), see KU AI Resources and Generative Artificial Intelligence (GenAI) Guidelines.
KU Information
Both the official KU website and KU School of Music website contain a wealth of information. You can find information on the KU website about parking, student health services, recreation services, KU ID cards, email, and enrollment.
International Support Services
If you are an International Student, please become familiar with International Support Services (ISS). There are often variations in each situation; the ISS advisors can best advise you on how academic decisions, such as taking a leave of absence, dropping below full-time status, or changing majors, can affect your visa status.
Grievance Policy and Procedures
Grievances arising within the School of Music must be heard under the School’s Grievance Procedure. The School of Music grievance procedure applies to the faculty members, unclassified professional staff, and students.
School of Music Key Student Support Contacts
- Director of Graduate Student Services: Anna Paradis, 446 Murphy Hall, musicgrad@ku.edu, 785-864-1952
- Associate Dean for Student Affairs: Dr. Melissa Grady, 450a Murphy Hall, mlgrady@ku.edu, 785-864-9637
- Associate Dean for Academic Affairs: Dr, Colin Roust, 450 Murphy Hall, c886r696@ku.edu
See full list of Department Chairs and Program Area Coordinators on our website.
All School of Music faculty (including each area coordinator) and staff can be found in the contact directory.
Web-Based Resources
- Music Documents & Forms
- KU Schedule of Classes
- KU Academic Catalog - School of Music
- KU Academic Catalog - Graduate Studies
- KU Graduate Studies
- KU International Support Services
- KU Housing
- FINAL DOCUMENT INFORMATION (Master’s Thesis, PhD Dissertation, DMA Lecture-Recital Document, and DMA Document):
- GRADUATION:
Musicology Written Qualifying Examination
There are old versions of the exam available in the Music Library upon request. These can be used for study purposes.
- No notes, either handwritten or saved on a computer or similar device, may be consulted in the examination room. All information that students provide in answering questions must be supplied from knowledge that they possess when they enter the room. The exam will be proctored by Musicology faculty and graduate teaching assistants.
- A laptop may be used for the bibliography section, which requires access to the internet, and the afternoon essays may be written on computer, but without access to the internet. Any student found accessing the internet or other material on their computer while taking the essays will be asked to leave the exam. The morning segment of the exam will be written on paper.
- Phones may be in the room but may not be on the student’s desk. Phones must be turned off and may not be consulted at any point while taking the exam.
- You will not be allowed work outside of the examination room except during the bibliography section.
- The exam will include the following sections:
- Six listening examples for which the student supplies a possible composer, approximate date of composition, and brief musical description.
- Three score identification examples for which the student supplies a possible composer, approximate date of composition, and brief musical description.
- Ten composers/people that the student will identify and briefly account for their musical importance.
- Ten terms that the student will define and briefly contextualize.
- A bibliography section in which the student will be provided with the name of a composer and a genre, and through the use of standard electronic databases the student will provide ten worthy sources for each topic from the last twenty years.
- An essay section that includes three pairs of questions drawn from the Middle Ages/Renaissance, Baroque/Classic, and Romantic/Modern eras, from which the student will choose three essays to write, one from each pair of eras.
- Two versions of the exam will be administered: one for DMA students and PhD students in theory, and the other for PhD students in Musicology.
- Students will have the opportunity to make up sections that they do not pass the first time. All make-ups, except the bibliography section, will be administered in a proctored environment and under most circumstances only two make-ups of each section will be possible.
- The exam has eight sections, counting the essays as three sections. The student must pass at least four of them to qualify for make-up procedures; otherwise, the student will be required to take the entire exam the next time it is administered.
Musicology Portion of the Oral Comprehensive Exam
For all students, a general knowledge of the history of music, including the ability to discuss representative examples of music. Suggested topics:
- Developments in the periods of music history and how music changed between the periods
- Regional or national developments in music
- Developments of musical forms, compositional procedures, and genres
- Performance practices, performance media, and musical instruments
- Important composers, theorists, and treatises
For students in music theory and composition, a knowledge of the history of music theory and composition from ancient Greece to the present. The student should know specific theorists and treatises, important developments in music theory, how theorists at different times described certain techniques and stylistic aspects of their time, and how theory related to actual music. Suggested topics:
- The history and theories of counterpoint, harmony, modes, forms, tonality, rhythm, and tunings and techniques
- Twentieth-century notation and techniques
For students in performance, a specialized knowledge of:
- The history of music written for the performer’s medium, with an understanding of important stylistic changes within and between the various historical periods, major composers, and their most significant compositions in the performer’s medium.
- Knowledge of the history of the instrument and related instruments and performing groups.
- The performance practices of the various historical periods, with knowledge of primary and secondary sources that describe these practices.
DMA Document Guidelines and Time Frame
I. Introduction: General Definition of the DMA Document
The DMA document is generally developed in conjunction with a Lecture Recital or recording project, which may be presented publicly by the candidate. The recital portion demonstrates your advanced level of musicianship; the written document demonstrates your ability to conduct specialized research and make an important contribution to scholarship on performance. Successful documents will define a clear and focused topic and articulate supportable arguments regarding that topic.
Prior to submitting a DMA topic proposal, you should:
- complete sufficient work on the project to clearly define a topic
- articulate a purpose and a provisional argument
- identify the appropriate scholarly field and research methodology
- be familiar with the relevant sources on the topic
Consult with each of the members of your advisory committee about your topic; they will each need to approve the proposal before you can formally begin your document.
Your completed document must conform to the established guidelines found at KU Libraries: Thesis and Dissertation Formatting and will be either:
- a lecture recital based on a submitted critical essay of at least 25-30 pages
- a submitted thesis document of at least 55-60 pages
Based on the format that you have selected for your doctoral document, research foci may include, but are not limited to:
- transcription and critical analysis
- interviews
- historical musicology
- music pedagogy
- music theory and analysis
- quantitative and qualitative methods as they apply to performance (e.g., music and medicine, behavioral studies, etc.)
II. The DMA Topic Proposal
General definition
Your Graduate Advisory Committee is charged with ensuring that all doctoral documents reflect high standards of musicianship, scholarly relevance, and academic excellence. To that end, the purpose of the DMA topic proposal is to enable the committee to evaluate the feasibility and scholarly significance of the proposed project. A successful proposal will explain the topic with which the project is concerned, present a cogent argument, demonstrate the project’s contribution to existing scholarship, identify sources of available evidence and indicate the methods that will be used to support your argument.
The document will also display the author’s competence with English prose, style, and organization. The sections required in all DMA topic proposals ensure that these goals are met; see below for detailed descriptions of each. In general, it is essential that the topic and the argument be clearly defined and that everything included in any section of the topic proposal be explicitly related to the topic. Any historical or analytical material in the proposal must be supportable by evidence. Students planning to conduct interviews as part of their research must provide evidence of contact with each intended interviewee, as well as a list of sample questions.
Topic Proposal Format, Length, and Style
The proposal should be submitted in double-spaced 12-point New Roman font with standard (1”) margins. Citation throughout the proposal should be footnotes or endnotes, according to the guidelines in the Chicago Manual of Style, 16th ed., which is available on-line through KU Libraries. Any source referenced in the topic proposal must be cited in the body of the proposal itself, as well as in the bibliography. All musical examples or imported images should be reproduced in high quality scans (300 dpi or higher). The topic proposal as a whole should consist of 2-3 pages; do not exceed 5 pages.
The topic proposal should demonstrate your familiarity with and capability of producing scholarly prose in English. Grammar, spelling, and syntax should be free from error, and its overall structure should be clear and easy to follow. It is highly recommended that you read your proposal out loud to yourself or to another person. For detailed accounts of effective prose style, consider Oliver Strunk and E. B. White, The Elements of Musical Style; Richard J. Wingell, Writing About Music: An Introductory Guide, and Richard J. Wingell and Sylvia Herzog, Introduction to Research in Music.
- Required Sections for all DMA Topic Proposals
- Email sent to all members of the committee requesting approval of the project
Introduction/description of project
In this section, you will define the purpose of your project. This is usually posed as a problem to be solved, a question to be answered, or an anomaly to be explained. It should culminate in a thesis statement: the argument that you will pursue in your document, even if it is still provisional. The statement of purpose should be justified by the significance of your topic and the current state of research.
Survey of Related Research
In order to convincingly argue that a given topic is significant, a new approach is necessary, or new evidence should be presented, you must include a summary of previous research on your topic. All doctoral documents include a section of this nature, usually as part of the introduction. The purpose of this section, in both the topic proposal and final document, is to identify the relevant available literature on the subject and to evaluate it in order to justify the need for a new study.
Research included should represent a variety of formats, including (but not limited to) books, essays, journal articles, scores and recordings, practical and scholarly editions, and articles in detailed scholarly dictionaries such as the New Grove Dictionary of Music and Musicians (Grove Music Online). Note: textbooks, general encyclopedias like the Encyclopedia Britannica, Wikipedia articles, and the like are NOT acceptable sources for a doctoral document. Do not claim that nothing has been written about a given topic. Even if a particular musical work or problem has largely escaped scholarly attention, describe the sources that do exist: biographies, scores and drafts, recordings, etc.
Also include in this section how your document will complement existing research on the subject.
Procedures and Methodologies
In this section, explain in detail how you will undertake your research. The methods described must support the statement of purpose; that is, they must demonstrate the potential for solving the problem, resolving the issue, answering the question, or explaining the anomaly that is the focus of the topic proposal. The methodology chosen must reflect the concerns of the scholarly field(s) appropriate to the project. Some projects may require a combination of research methods.
- Critical editions or transcriptions require descriptions of the source materials used and an account of the methods used in critical decision making.
- Historical musicological research requires an account of the primary and secondary documents that will be used, and an explanation of the interpretive methods that will be applied to that evidence.
- Music pedagogy or other research involving experimental methods requires a comprehensive account of the proposed experiments or solutions
- Theoretical or analytic projects should identify the pieces to be analyzed and identify appropriate analytical methods for that music; in addition, the analytical methods used must be demonstrated by means of specific examples, including musical excerpts.
- Performance guides must identify the technical or musical challenges posed by the chosen repertoire and present pedagogical or practical methods to solve these problems.
- Outline the procedures you will follow in your research. Include score or recording analysis, archival study, research trips, interviews, etc.
- State any specific skills you will need in order to accomplish your research, e.g., knowledge of another language, theoretical techniques, analytical methods, etc.
- Explain how you will synthesize the material into a coherent thesis.
- Students planning to conduct interviews as part of their research must provide a list of interviewees you have contacted, as well as sample questions.
Outline
You must also include a provisional outline of your document. This should be as detailed as possible, particularly if theoretical analysis is included (“Analysis of Movement Four” is not sufficiently specific). It is highly recommended that the topic proposal also includes a brief prose description of the content of each chapter.
Bibliography
In your bibliography, include all literature relevant and significant to your topic. Citations to scholarly literature, relevant editions, and/or primary source materials are required, even if you do not intend to quote them directly in your paper. Tertiary sources, such as textbooks, general encyclopedias like the Encyclopedia Britannica or Grove Music Online, Wikipedia articles, and the like are NOT acceptable sources.
You should be in regular contact with the chair and other members of your Graduate Advisory Committee while writing both your proposal and your document. You don’t need to do this alone!
Formatting and document submission
Information for proper formatting for your document and final submission to ProQuest is found on the KU Library website: KU Libraries: Thesis and Dissertation Formatting.
III. Timelines and Deadlines
Carefully note the recommended deadlines below, which are indicated by an asterisk (*). If you fail to meet any of these deadlines, may postpone your final defense.
| Student or Faculty Action | Document Status | Recommended Timeline |
|---|---|---|
| Student | Ensure all diagnostic deficiencies, 2 of 3 doctoral recitals, and all Qualifying Exams are completed or in-progress | Beginning of the final year (at the latest) |
| Advisor | Work with student to finalize the research proposal | Early in final year |
| Student | Submit research proposal to committee | Early in final year |
| Committee | Committee reviews and approves the research proposal | Before the final semester |
| Student | Complete the Oral Comprehensive Exam (submit Exam Authorization form at least 2 weeks prior to exam date) | Before the final semester |
| Student | Schedule the Lecture Recital (if applicable) or Recording Services to meet final degree timeline. | 1st week of classes in final semester |
| Student | First draft of DMA document sent to committee chair/faculty advisor | Beginning of final semester |
| Advisor | Draft returned to student with comments | 12 weeks prior to defense date |
| Student | Schedule final DMA defense with full committee (submit Exam Authorization form at least 2 weeks prior to exam date) | 4-6 weeks prior to defense date |
| Student | Revised paper to committee members | 4 weeks prior to defense date |
| Committee | Comments from committee returned to student | 2 weeks prior to defense date |
| Student | Complete Lecture Recital or Recording Project | within a week of defense date |
| Student | Final draft sent to committee | 1 week prior to defense date |
| Student | Once defense is complete, upload final DMA Document to ProQuest and complete Graduation Checklist | By Graduation Deadline for semester |
Upon submission of your research proposal, you may schedule your Oral Comprehensive Exam; the timeline above begins as soon as you are ready to submit your proposal. If you anticipate taking your orals, writing, and defending your document in the same semester, you are required to turn in your topic proposal at your oral exam.
There are established deadlines for completion of the DMA document. The table above indicates these deadlines and provides space for planning the time frame of your final document and defense. The timeline ensures that your major professor, committee chair, and other committee members will have sufficient time to carefully assess your work and provide the necessary guidance and critical reading for a successful paper.
PLEASE USE THE DEADLINES TABLE TO ASSIST YOU AND YOUR COMMITTEE IN DETERMINING IF YOU ARE ON TRACK WITH YOUR DOCUMENT. PLACE THE APPROXIMATE DATE YOU PLAN TO DEFEND YOUR PAPER AT THE BOTTOM AND WORK YOUR WAY UP USING THE “TIME PRIOR TO DEFENSE” TIMEFRAME FOR THE APPROXIMATE DATES. THIS WILL ASSIST YOUR COMMITTEE MEMBERS BY GIVING THEM APPROXIMATE DATES FOR THEIR REVIEWS OF YOUR DOCUMENT.
Examples of DMA Documents
KU ScholarWorks is the University repository for all KU theses, dissertations, faculty publications and DMA documents. Recent DMA document submissions can be found here: KU ScholarWorks: Music Dissertations and Theses.